Interesting article from last week’s Guardian on the use of comics as part of an anti-harassment campaign on Egypt’s metro. I know there’s a fairly strong tradition of cartoons in the Arabic world as a form of political commentary – but informational comics? A couple of years ago, at Comics Forum, there was a really interesting paper about the use of informational comics by the Royal Omani Police, but I’m not aware of any similar examples.
The anti-harassment comic is the work of artist Ahmed Nady, and supported by the Imprint Movement. What’s notable about the comic is that it’s clearly being used as a way to “start the conversation”. Comics seem to be a medium of choice for introducing difficult, complex or unfamiliar subjects to a broad audience – whether it’s science, medicine or social and cultural issues. What exactly is it that comics can do that other media can’t?
Abdel Fattah al-Sharkawy, one of the co-founders of the Imprint Movement, suggests that it’s narrative that’s important. It’s making the link between the story in the comic and the everyday experiences of its readers. The artwork in a comic is important, but as far as informational comics is concerned, getting that narrative right – making that connection to the experiences of our readers – is what’s key.
In these anti-harassment comics, Ahmed Nady’s art is an example of how great comics can create narrative through lively and dynamic visuals. Informational comics can sometimes stray too close to being just “illustrated text”. These comics remind us that images are as important as words in creating that link between reader and information.